Principles for designing with purpose, clarity and restraint.
Five short chapters. Roughly forty minutes, with room for questions.
The case for intentional design
Structure you can feel but not see
Three primaries, used with discipline
From first sketch to final form
Putting the principles to work
Every element should earn its place on the page.
Say one thing per slide. If the audience has to search for the point, the design has failed.
Align everything to a shared grid. Order creates calm, and calm creates attention.
Remove until it breaks, then add back one thing. Restraint is a feature, not a limitation.
An invisible framework that gives every element a home — and makes a page feel inevitable rather than arranged.
of readers scan a slide before they read it. Hierarchy decides what they find.
faster comprehension with one clear focal point per slide.
columns in the base grid behind every layout
from first sketch to a working prototype
Watch how people actually use the thing. Collect evidence, not opinions.
Strip the problem to its essentials. Name the one job it must do.
Arrange the essentials on the grid. Let proportion carry the message.
Test, measure and cut again. Ship when nothing is left to remove.
Ornament added for its own sake
Five fonts, eleven colors
Every idea competes for attention
Meaning buried under style
Every mark has a job
One typeface, three primaries
A single, obvious focal point
Style that serves the meaning
The old signage tried to say everything. We kept only what a visitor needs in three seconds — where am I, where next — and let one bold shape per floor do the rest.
fewer signs in the building
faster to find the right room
Questions, ideas and critique all welcome.
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